On/Off states

Artist Name(s) Elaine Reynolds
Artwork title On/Off states
Context/Background On/Off states 2010 is a live event that addresses the questionable futures of so-called 'Ghost Estates' endemic in post-Celtic Tiger Ireland. There is a focus on the countless un-finished, un-inhabited houses in rural regions of the north-west. The profusion of such sites can be understood as a legacy of the Section 23 Rural Renewal (tax relief) scheme - a government incentive that supported the ‘invigoration’ of selected rural zones.

Description

On/Off states took place on an incomplete and apparently abandoned construction site that now dominates a small, rural Leitrim village. One house, in the very early stages of construction, was utilised specifically as an example of a structure, considered under the current NAMA categorisations, as ‘not viable to completion.’  Lights were installed within the concrete shell of this house. These lights were electronically programmed on and off in a sequence that signifies the S.O.S pattern in Morse code.

This gesture relies on the use of opposing On/Off states or binary opposites that form the basis of many familiar coding systems. The intervention took place from dusk to darkness on one night only and was visible to neighbouring houses and passers–by. Ordinarily, light from within a house indicates that someone is home. For the duration of measured illuminations we can yield to the illusion that this structure, without doors, windows, tiles on the roof and certainly without inhabitants, has potential as a home. In contrast to such musings, the flashing lights actually spell out an urgent call for help. It was significant that action was automated rather than a manual intervention, therefore the S.O.S can be perceived as coming from the house itself.

Biographies

Elaine Reynolds graduated from NCAD, Fine Art (Sculpture) in 2007. She has participated in various exhibitions, residencies and projects - frequently in rural contexts, both in Ireland and abroad. Recent undertakings include Holding Together Douglas Hyde Gallery, Dublin, the Advanced Course in Visual Art with visting professor Hans Haake, F.A.R, Como, Italy and Scoping Worlds at the Leitrim Sculpture Centre.

Commission Type Other
Commissioner Name Leitrim Sculpture Centre, Manorhamilton
Commissioning process Commissioned under the Leitrim Sculpture Centre artist in residence progamme
Artform Visual Arts
Funded By The Arts Council,Other
Budget Range 0 - 10000 euro
Project commission start date 01/06/2010
Project commission end date 01/10/2010
County Leitri
Content contributor(s) Elaine Reynolds
Relationship to project Artist 
Public engagement

The live event was clearly visible to neighbours within the surrounding radius, motorists and passers-by. Documentation of On/Off states was exhibited in Scoping Worlds at the Leitrim Sculpture Centre, October 2010. The video element will be screened as part of NAMARAMA, The Market Studios, 20 January 2011.

Associated professionals / Specialists involved

Conor Mac Namee – electrical engineer
Brendan Mac Namee – electrical engineer
Patrick Reynolds (snr) – technical assistant
Patrick Reynolds (jnr) – technical assistant
Liam Trappe – photographer

Focus On

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'Harbouring'

Commissioned in 2008, Harbouring by composer Ian Wilson, was the fifth Per Cent for Art music commission undertaken by Wexford County Council since its inaugural project in 2004.

Wilson's Harbouring is a choral work based on nine poems by both Irish and international writers.

The performances were conducted by Fergus Sheil and featured the Irish Chamber Orchestra, accordian player Dermot Dunne, choristers from Wexford Festival SingersGorey Choral GroupEnniscorthy Choral Society and sean nós singers from the traditional singing group, Whisht! 

Read more about this project in the Public Art Directory section of this website.

 

 

 

 

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